"Nobody can advise you and help you, nobody. There is only one way. Go into yourself."
In equal turns uplifting and bracing, Letters to a Young Poet is a collection of correspondence from Rainer Maria Rilke (December 4, 1875 – December 29, 1926) to an aspiring poet aged nineteen, Franz Xaver Kappus. Rilke's words are nurturing and inspiring to any vulnerable creative, or young mind eager to shine.
In the early 20th century, Kappus asked Rilke to read and review his work. Rilke denied critical review, saying he was unfit to offer critique.
Your letter only reached me a few days ago. Let me thank you for the great and endearing trust it shows. There is little more I can do. I cannot go into the nature of your verses, for any critical intention is too remote from me. There is nothing less apt to touch a work of art than critical words.
But through generous self-expression and patient writing, Rilke proffers wisdom and reflection. Among other wonderfully rich advice, Rilke reckons solitude enables becoming—"love your solitude," he advises, and "seek answers within":
On The Examined Life, I’ve approached these notions of self and self-discovery from a few different angles. Read more in The Importance of Walking About, Do Mirrors Tell Us Who We Are?, and Can Knowledge Be Gained Through Feelings?.
There is no greater question in my mind than how do we see more. Of ourselves, of the world, of each other.
Nobody can advise you and help you, nobody. There is only one way. Go into yourself. Examine the reason that bids you to write. This above all: ask yourself in your night's quietest hour: Must I write?
Rilke also urges balance between self-examination and self-obsession and tackles how to write from the depths of sadness. Most of all, Rilke shows how human connectivity—not accomplishment—sustains our humanity.
Rilke believed we require "existential anxiety to begin" and that soulful questioning is a gateway to self-knowledge, and thus, contentment isn't new. But no one has put it quite so rapturously. Rilke's writing is referenced frequently—more than other philosophers of his era. It's difficult to believe that so much came from this thin epistolary.
I suspect Rilke's current favor (like that of German novelist and philosopher Hermann Hesse in the 1970s) is because Rilke's writing voice is extremely maternal - caring and hopeful. It is directive, yes, and nurturing, and reassuring.
"Once, in dream, the boat pushed off from the shore. You at the prow were the man—all voice, though silent—who bound rowers and voyagers to a needful journey, the veiled distance, imperative mystery."
You are so young; all still lies ahead of you, and I should like to ask you, as best I can, dear Sir, to be patient towards all that is unresolved in your heart and try to love the questions themselves like locked rooms, like books written in a foreign tongue.
When asked to review poems, Rilke pushes that request aside and, instead, gets to work on the poet. Focusing on the person, not the work, is an approach held in prestige by many artists and writers (and certainly by The Examined Life).
As sometimes the master's genuine stroke
will find the nearest, hurried page,
so often in the same way a mirror will take
to itself the smiling, sacred, unique face
Of a girl as she tries on the morning alone,
or sits in the lamplight's flattering gleam.
And before the breath of faces more real,
later she lets slip only a counterfeit glow.
.
What did we once glimpse with our eyes
staring at the hearth, its slow-burning coal?
Visions of life - forever lost to us.
O earth, who can enumerate your loss?
None - or only he who still sounds praise,
singing his heart out, born to the whole.
From Rainer Maria Rilke's Sonnets to Orpheus
For additional insight into the self-forming nature of solitude, dive into the meaningful, mournful poems of American poet Wendell Berry. On ballasting one's young insecurity, read Maya Angelou's warm, generous Letter to My Daughter.
I often fish from the thematic streams of Rilke's work, and he's inspired many posts, including one on the fear of being interrupted once we enter solitude and a soul-wrenching restlessness for something long gone.
In this solitude, we find life's most abundant rewards.
To love is also good, for love is hard. Love between one person and another: that is perhaps the hardest thing that is laid on us to do, the utmost, the ultimate trial and test, the work for which all other work is just preparation. For this reason young people, who are beginners in everything, do not yet know how to love: they must learn. With their whole being, with all their strength, concerted on their solitary, fearful, upward beating hearts, they have to learn to love.
What Rilke teaches us bears repeating: be kind to yourself, be patient;